Peter
Cycle adapts traditional folk forms for processing victuals. Abstraction—poetic, geometric—here, he modulates a new touch pointing to penetration of static, frontal and cubic shape indications and dynamic spatial bodies. The tone sounding here is an apparent “maternal” topic foreplay / interface which has been echoing in him for a few years. Quiet, but evident emotiveness of these works resides in repetition and absence of elements, in emphasis on the shifts in “combinatorics” of life creation
—Viera Kleinová